project team


featured venue > haymarket hotel, sydney


Interior Design: Complete Exposure Design
AV: Saltec

 

The Haymarket Hotel
661-663 George St.
Haymarket NSW 2000
02 8221 0226 
www.thehaymarkethotel.com.au



Situated in Sydney’s China Town, the Haymarket Hotel is a refreshing and opulent venue crafted within a heritage listed building that was once a bank.

The hotel features three very different areas for patrons to unwind in: a basement bar, the main bar and a mezzanine level.

The main bar on the ground floor features the original bank teller counter to form the framework for the centre piece bar. A light and airy feel embodies this area with beautifully restored marble paneling and six-metre high leadlight, detailed ceilings offset with simple elegant furniture. Dry bars frame the main bar for those wanting a casual gathering space, whilst gorgeously decadent brass bead drapes and bronze mirror ceilings encase intimate alcove booth seating.

In the basement, which still houses the original vault doors, is the Martini Bar scattered with comfortable red and white furniture.

Belinda See, managing director of Complete Exposure Design, was responsible for the interior design of the venue. All soft furnishings, internal light fixtures and external signage plus heritage displays were custom made to her designs whilst other vintage embellishments were sourced locally and overseas. 

The clients brief required the original features to remain without making the venue feel too yesteryear.

”The design plays upon the heritage of the site, a former bank, making the most of the ornate plaster and timber work as well as leadlight sky lights and unbelievably high ceilings,” explained Belinda.

The mezzanine level overhangs the main bar area on the ground floor and uses small bronze smoke glass mirrors to help enhance the ornate ceilings decorative patterns. The colour tones are warm and inviting with large clean lined retro-inspired lounges and armchairs covered in a gorgeous mix of different textured and colour fabrics. Some lounges blend together a heavy woven orange stripe cushion with a damask orange and fawn velour backrest all framed with an off white goanna skin texture. Original art deco mirrors have been sourced and hand selected to amplify the art deco feel of the gold painted ceilings.

The ground floor bar utilises the original marble bank teller counter as its bar and dry bar areas as its centrepiece. The old solid dark timber transaction benches have also been maintained and sealed with glass featuring very simple signature graphics pertaining to the buildings heritage since its construction. The colours selected for the walls and ceiling give the space a freshness and openness without the heavy stereotypical use of greens, burgundies and creamy creams.

The original marble floor has been retained and a complimenting Brintons carpet was installed into the soft furnishing areas to break up the large expanses of stone. A breathtaking custom made square pyramid chandelier has been installed at the highest point of the hotel ceiling (near the entrance) and is the first thing patrons notice. Hanging at 2m x 2m x 2m and with close to 1000 lead hand-cut crystals on individual steel wires, it creates a softness to the space without feeling overbearing.  

There is an off white chesterfield buttoned booth draped with antique brass bead curtains to create an intimate cove. Bronze smoke mirror glass covers this part of lower bar ceiling area to remove the potential of an oppressive feeling space. Simple custom designed white bar stools with ornate stitching are scattered throughout.

To the rear of the ground floor bar is the Koi VIP Lounge, an oriental themed gaming room which has regal red tasseled curtains dropping the full six metre height of the windows and heavily embossed pressed metal finish wallpaper. A large heavily gold-leafed Koi pond scene oil painting hangs on the wall and is complimented by a 2.6m red lotus light feature which is suspended over an oriental-themed lattice to conceal the fire sprinklers and pipes. 

The Martini Bar in the basement of the hotel is surrounded by back glass and dark timber walls. Plaster ceiling panels, made to look like pressed metal, have been installed into a third of the bar area. A Parisian feel best describes this space; dark and sensual, a reminder of Moulin Rouge bygone days. Large black gloss urns with orchid plants are scattered between wood-turned footed saloon-styled lounges. A decadent blend of black and red fleur de lisle velour fabrics and off white, beige and black fabrics make up this exciting space.

A custom-designed silver mirror and black glass mosaic was installed for the front of the bar and the pattern was again repeated as a privacy screen in vinyl cuts for the rear entry doors to avoid a fish bowl scenario for patrons using the amenities. Along the main wall of the room a large format abstract custom design was fabricated in blood red vinyl and was applied to the wall to break up the darkness of the windowless space and to help amplify the generous bars space downstairs.

There are endless coves for patrons to snuggle into. Crystal cut stools from Space Furniture in ruby red, smoke, amber and crystal form a dual service – as cool side tables and additional seating for larger groups.


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Saltec was commissioned to design and install all audio visual components. With a commercial hotel next door, Saltec had to ensure there was no audio leakage from the venue and that it was multi functional.

”This space can be used for anything and could need loud music or even a piano so we decided to install some powerful gear in the form of Turbosound TCS101C wall mount speakers and a Turbosound sub woofer,” explained Stephen Askins, Saltec’s project manager. “At the same time we had to be very mindful of council noise regulations which are quite severe in this area. It’s a good quality sound throughout.”

More Turbosound TCS101C speakers and a Turbosund sub woofer are used upstairs in the main bar as well as four Electrovoice EVID 6.2 and two Electrovoice EVID 3.2 wall mount speakers. Seven Toa F2352SC and five Atlas FAP62T ceiling speakers are also used. Lab Gruppen amplifiers, which according to Stephen never break down, drive the speakers and processing is all Media Matrix.

“We used audio gear from a variety of manufacturers as we don’t like to tie ourselves down to one,” remarked Stephen.

The highlight of Saltec’s installation is the massive amount of LED lighting used within the venue including an amazing 520 x Pro Shop LED Strips! The LED strips are artfully located within tracks located inside the ornate cornices from where they very slowly scroll through eight chosen colours. So slowly you can imagine having a few drinks and swearing you came into a green venue not a blue one! Only one colour is used at a time reflecting the classic

ambience of the interiors. Rather than clashing with the heritage building, the LED actually lighting brings out the character of the building in a successful case of new technology enhancing something old.

“It’s really designed to create a mood not to be flashy,” said Stephen. “Mark McInnes from Show Technology worked very hard with us on this project and must have been on site at least thirty times during the design phase and installation.”

Seven Pulsar ChromaLights are used to highlight beams across the ceiling as well as columns and are programmed to match the main LED colours. A Pulsar ChromaZone controls the ChromaLights whilst eight LED controllers/drivers with power supplies take care of the LED strips.

Attention to detail is carried outside where two Studio Due ArchiLEDs are used to colour wash the back entrance of the hotel. The front entrance needs nothing else as being glass the colourful venue is like a beacon to passing traffic on busy George Street.

One of the wall panels within the Haymarket Hotel has been turned into moving art by the use of MOODTV projected by a Epson G5350 projector chosen because it can shoot off-centre.

The owner of the venue insisted on ease of control and so a touch screen Crestron system was chosen.
“It makes operation nice and easy for the staff,” said Stephen. “The control system consists of a Crestron AV2 processor, a Creston expansion cage, two Crestron IR expansion cards, a Bluecog RS232 to DMX interface, two Martin 4-channel DMX Opto Splitters and three Crestron TPS4L wall mount touch panels.”

 
 
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